Jane Franklin received a MFA from The Ohio State University as a University Fellow and certification from the Laban/Bartenieff Institute for Movement Studies. Jane Franklin’s choreography has been presented at multiple venues and festivals in the mid-Atlantic region and southwestern US and internationally in the UK and in Mexico. A recipient of the Community Foundation for the National Capital Region Creative Communities Award, Jane has developed innovative and collaborative projects combining dancers with the round wall skateboarding community, with a life size kinetic sculpture, with the architecture of a specific site, with dogs & owners, and with interactive live video and sound for numerous public art projects. Jane Franklin is a recipient of the American Association of University Women Elizabeth Campbell Award for the Advancement of the Arts in Arlington, Special Opportunity Awards from the City of Alexandria, and her video work Four Mile Run Footbridge was selected for PHOTO/VIDEO 13: Juried Mid-Atlantic Exhibition. Jane is Senior Dance Reviewer for DC Metro Theater Arts.
Performers and Educators
Emily Crews has been a professional dancer, choreographer, and dance educator since 1991 when she moved to the DC area after graduating from the College of William and Mary. Since the fall of 2000, she has been exploring her tap dance roots as a member of Footworks Percussive Dance Ensemble. In addition, Emily serves as the Financial Director for Dance Place.
Andie de Vaulx earned an A.A. in dance from Montgomery College, and her B.A. in English from the University of Maryland. Andie has studied for 24 years with many artists including Chuck Davis, Donna Birchfield, and David Dorfman. She has been the artistic director of Equinox Dance Company in Frederick, Maryland, created several works for Forty+, and has been associated with Jane Franklin Dance since 2007.
Carrie Monger began dancing in the DC metro area in 2002. She received her Minor in Dance from James Madison University and a Master’s Degree in Counseling from the College of William and Mary. She has danced with Deborah Riley, Meisha Bosma, Daniel Burkholder and Keira Hart-Mendoza and choreographed works performed at the Torpedo Factory and the Capital Fringe Festival. Carrie has performed extensively with banished?productions; an avant pop performance company that generates immersive interdisciplinary art experiences. She was previously a member of Jane Franklin Dance before taking time off to travel the world in 2005. She is excited to return to the company.
Kelsey Rohr started studying dance at Richmond Ballet through their public outreach program. She later graduated from Southern Methodist University in Dallas with a BFA in Dance and minor in Women’s and Gender Studies. She went on to dance with Joshua L. Peugh’s Dark Circles Contemporary Dance and then worked in Geneva, Switzerland with Ballet Junior de Genève and Guilherme Botelho’s Alias Dance Company. She has performed works by Sharon Eyal, Barak Marshall, Angelin Preljocaj, and Roy Assaf. Currently, she enjoys dancing under Robert Priore’s PrioreDance in D.C. and Jane Franklin Dance in Arlington.
Amy Scaringe graduated with a BFA from Towson University in 2008. Since then she has had the pleasure if working with Misako Ballet Company, Dissonance Dance Theatre, Wayles Haynes, alight dance theatre, as well as Jane Franklin Dance. She also is currently practicing bikram yoga and taking class at Maryland Youth Ballet.
Brynna Shank is a dancer, choreographer, and teacher in the DC area. As well as dancing with Jane Franklin Dance, she is the Ballet Program Coordinator at District Dance Company and enjoys doing many projects throughout the DMV. Brynna graduated from Shenandoah Conservatory with her BFA in Dance Performance and a minor in Business Administration in 2016. Since then she has worked with multiple companies including Gin Dance Company, Nomadic Artist, Connect the Dots Company, and Aras Dance.
Rebecca Weiss is a dancer, choreographer and educator in the Washington DC area. After receiving her Bachelor of Fine Arts in Dance and Choreography from Virginia Commonwealth University in 2015, Rebecca interned with Dance Place under the guidance of Carla Perlo and Shannon Quinn. In 2016, she worked with ClancyWorks Dance Company, where she had the opportunity to perform at the American Dance Institute. She has also performed with Through the Fourth Wall Productions, where she starred in the immersive theatre production of, “A Dream Within A Dream: Madness.” Most recently, Rebecca made her musical debut in the highly acclaimed performance of “Legally Blonde” at the Little Theatre of Alexandria. She is currently a company member, administrative assistant and teaching artist for Jane Franklin Dance. Since joining the company in 2016, she has had the opportunity to perform throughout the District at VelocityDC Dance Festival, Atlas INTERSECTIONS Festival and Capital Fringe Festival.
Kaitlin Pennington is a recent graduate of James Madison University where she received her Bachelor of Arts in Dance. During her time at JMU, she immersed herself in performance and choreography. This included performing and touring with JMU’s pre-professional company, the Virginia Repertory Dance Company, where she worked with artists such as Rubén Graciani, Doug Varone, John Dixon, and Ting-Yu Chen, as well as the Contemporary Dance Ensemble, JMU’s upper-class student performance ensemble. During her last year at JMU, she was granted an Undergraduate Research Grant from the College of Visual and Performing Arts, allowing her to focus on dance accessibility within the local population of adults with intellectual and developmental disabilities. Since moving to the DMV area, she has had an internship with Dance Place working as the Youth Programs Intern. Kaitlin is thankful for the opportunity to join JFD and is excited to begin this journey!
Ken Hays has taught, directed, and performed Improvisational Comedy for over 15 years, largely with Washington Improv Theater. In addition to his theatrical forays, he was born a certified Mover. Ken would like to thank his wife Carrie and Jane Franklin Dance for the opportunity to explore his latent desires to infiltrate the Dance community.