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"Exquisite found moments..... explored
with innocence and integrity."
-The Washington Post
"Limber, quick thinking, musical.
And brave."
-The Washington Post
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6.23.08 All Arts Review 4U
5.30-6.5.08 Washington City Paper - What's Your Problem?
4.18-24.08 Washington City Paper Best of DC 2008
2.29.08 - Style of the Go, The Washington Post
2.28.08 - Connection Newspapers
2.28.08 - The Washington Post Express
10.2.07 - Washington Post, DC XIII Improvisation Festival
9.12.07 - Dance Charlotte! Sept 6 performance at the Charlotte Dance Festival in NC
May 13 Our Picks - Sunday Source, Washington Post
March 1, 2007 Washington City Paper
Great Dance Weblog
February 2007 Washington Post
January 22, 2007 Looking2Live
January 2007 Washington City Paper
Spring 2006 The Front Row
Apr
2005 Washington Post Preview
Jan
2005 Washington Post Preview
Oct
2004, Richmond review
Sept
2004, New Dance Festival review
Click
here to read a review by Karren Allenier.
January
8, 2004, Washington Post article
June
26, 2003, Washington Post article
Jan
3, 2003, Washington Post article
American
Composers Forum
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Best Dance Company
Jane Franklin Dance
Jane Franklin doesn’t sweat the technique: Her choreography is always lovely and expansive, but it’s never flashy enough to be distracting. Maybe that’s a function of Franklin’s wry and perverse sense of humor bubbling beneath the surface of each of her pieces. Or maybe it’s because she never seems content to let her audiences simply savor the beauty of the dancers in motion: Bodies become cogs in the machinery (as in Temporal Interference) or alternate instruments (as in this year’s impressive Sound Walk) or, really, anything but bodies. Sometimes Franklin seems more like a composer than a choreographer, frequently breaking her pieces into separate “movements,” each with its own funky rhythm. Of course, modern dance has very few rules, and Franklin breaks all of ’em. —NG, Washington City Paper
Jane Franklin
wowed with her "Clear Cut" with backdrop pictures
of the Civil War. It gave a powerful anti-war statement
as it showed how violence moved from the battlefield
into the maddening crowds.
-Bob Anthony,
Review 4 U
"Exquisite
found moments.....explored with innocence and integrity."
-The Washington Post
“The
pictures and music worked so wonderfully with the dance
and the lighting to create a stunning ever-changing
tableau. I can't remember the last time I was so moved
by a performance!”
-Gerda
Keiswetter, audience member Concert for Community
"Limber,
quick thinking, musical. And brave."
-The Washington Post
"You
all made an excellent decision to bring Jane Franklin
Dance. What a talented group of dancers and innovative
choreography."
-Dr. Marilou
Johnson, Associate Dean of the College of Arts &
Letters, James Madison University, New Dance Festival"
Four members
of Jane Franklin Dance are charging around an Arlington
rehearsal room. They are waving sticks in the air. Plastic
bags are tied to the end of each stick. With a twist
of a wrist or an extension of a leg, the dancers morph
their sticks-and-bags into javelins, bird-catching nets,
baseball bats or canes. The plastic contributes to every
move."
- Nicole Lewis, The Washington Post
"Her dances have fascinating, precise, complex
structures, and she's a first rate comedienne."
-Boulder Daily Camera
"Franklin has the ability to choreograph with
a twinkle or a sigh and to do both without undue sentiment."
-The Washington Post
"...thoughtfulness and a sense of humor."
-The Washington Post
"'Take a Deep Breath' ... was to be presented
outdoors ... A thunderstorm forced the dancers to perform
inside, but after seeing the piece I'd be willing to
stand in the rain to see it again." -Boulder
Daily Camera
"Franklin's 'Self Other Self' is a day-in-the-life
of most of us ... a marvelous allegory for a 'woman
in a man's world' scenario." -Dance View
"Is Jane Franklin the Erma Bombeck of local modern
dance? Perhaps, for this Arlington-based choreographer
has a keen eye for portraying everyday suburban banalities
with wit, vigor and flair."
-The Washington Post

"'Home Bodies' lets expressive poignancy seep
through the lovingly performed dance of childhood."
-The Washington Post
"captures the notion of old and new forms residing
in harmony." -The Washington Post
"...conclusive proof that compelling art can be
developed with community participation."
-Nicole DeWald Arts Coordinator City of Greenbelt
MD
"I admire the way you work with (dancers) on one
exercise into the next, into composition so seamlessly!"
-Karen Sly Dance Faculty Carlisle School Martinsville
VA
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